Contemporary Aboriginal Art - Flinders University Art Museum

Editorial by guest editor Joanna Mendelssohn. What after all is different about Sydney? I have tried to give some idea of the debates which are not always expressed in writing - the incestuous nature of the mighty arts organisations; the way that words influence or corrupt understandings of art; and the limits on public debate because of fear of the consequences.

Published September 1994

Sydney from Afar

Feature

Daniel Thomas

For 20 years Daniel Thomas lived and worked in Sydney. In the 2 decades since he has left he has remained a frequent visitor, but he still sees Sydney from afar.

Published September 1994

Kate Breakey

Review

Margot Osborne

Exhibition review Laws of Physics/Principles of Mathematics
Kate Breakey
Artspace, Adelaide Festival Centre
South Australia
8 April - 7 May 1994

Published September 1994

Breaking the Boundaries - 'Art-elites": Are They an Inevitability?

Feature

Liz Gibson

Not all public institutions are devoted to blockbusters and cultural elitism. Regrettably, contempt for the masses is not anachronistic.

Published September 1994

Sue Lorraine

Review

Noris Ioannou

Exhibition review em/body
recent work by Sue Lorraine
Artspace, Adelaide Festival Centre
South Australia
13 May - 25 June 1994

Published September 1994

A Series of Close Connections

Feature

Eric Riddler

Really the only way to understand the apparently large Sydney art scene is to use diagrams and statistics, all of which were compiled by the author.

Published September 1994

Absence of Evidence - Fremantle Art Centre

Review

Nikki Miller

Exhibition review Absence of Evidence
Fremantle Arts Centre
Western Australia
15 May - 26 June 1994

Published September 1994

Visualising Masculinities - Claremont School of Art

Review

Robyn Taylor

Exhibition review Visualising Masculinities
Claremont School of Art Perth
Western Australia
20 May - 15 June 1994

Published September 1994

Sydney in Focus: Reflections on Marketing in the Visual Arts

Feature

Belinda Hanrahan

Since their inception, galleries and museums around the world have entertained the principles of marketing, but perhaps never so consciously as now. Of all Australian arts institutions, the Art Gallery of New South Wales has been most aware of the need to market its image.

Published September 1994