Contemporary Aboriginal Art - Flinders University Art Museum

Cover of Contemporary Aboriginal Art - Flinders University Art Museum
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Marco Fusinato: DESASTRES

Australian Pavilion, 59th La Biennale di Venezia

Review
Melissa Bianca Amore

Published 15 June 2022
0.8
QUEER: Stories from the NGV Collection

National Gallery of Victoria

Review
Callum McGrath

Published 30 May 2022
0.8
Highlights from BlakLight: First Nation art at the Art Gallery of Western Australia

Art Gallery of Western Australia

Review
Timmah Ball

Published 04 May 2022
ACE Open
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Neoteric

Adelaide Railway Station

Review
Belinda Howden

Published 04 May 2022
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Language is a River

Monash University Museum of Art

Review
Marielle Soni

Published 30 March 2022
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Art Writing in Crisis

Edited by Brad Haylock & Megan Patty Sternberg Press, 2021, 288 pages

Review
Una Rey

Published 30 March 2022
Desert Mob
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Gordon Bennett: Selected Writings

Angela Goddard and Tim Riley Walsh (eds.) Griffith University Art Museum and Power Publications, 2020 66 images, including colour plates 216 pages

Review
Wes Hill

Published 30 March 2022
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Tina Havelock Stevens: Nature Extemporize

The Substation

Review
Elizabeth Pearce

Published 15 December 2021

Exhibition review Looking Towards the Future: Contemporary Aboriginal Art Flinders University Art Museum South Australia 13 May - 24 June 1994

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More from this Issue Full Issue Contents

Constructing Space - Plimsoll Gallery
Review
Leigh Woolley

Exhibition review Constructing space
Plimsoll Gallery
Tasmanian School of Art Hobart, Tasmania
13 March - 6 June

Published September 1994
Jacques Delaruelle
Feature
Jacques Delaruelle

In recent years there has been a major debate in Sydney on the nature of art education. Both Jacques Delaruelle and Fay Brauer have been active participants. Plants grow in silence but we (in the art world) vegetate noisily. see also article by Fay Brauer (no 665).

Published September 1994
Absence of Evidence - Fremantle Art Centre
Review
Nikki Miller

Exhibition review Absence of Evidence
Fremantle Arts Centre
Western Australia
15 May - 26 June 1994

Published September 1994
Why Criticism?
Feature
Bronwyn Mckean

The most incisive commentary on the visual arts in Sydney usually occurs in private conversations that are not repeated in print for fear of the NSW defamation laws. But there is a great deal published on the visual arts....

Published September 1994
The Lesser of Two Cities
Feature
Terry Ingram

Sydney thinks of itself as the centre of the country, the only part that matters, but in the lucrative art market, Sydney is subsidiary to the old moneyed city of the south -- Melbourne.

Published September 1994
Gaytime in Sydney: Gay and Lesbian Mardi Gras Arts Festival
Feature
Elizabeth Ashburn

Once a very marginalised group, the gay and lesbian communities have now become a part of mainstream Sydney culture.

Published September 1994
Visualising Masculinities - Claremont School of Art
Review
Robyn Taylor

Exhibition review Visualising Masculinities
Claremont School of Art Perth
Western Australia
20 May - 15 June 1994

Published September 1994
My Sydney
Editorial
Joanna Mendelssohn

Editorial by guest editor Joanna Mendelssohn. What after all is different about Sydney? I have tried to give some idea of the debates which are not always expressed in writing - the incestuous nature of the mighty arts organisations; the way that words influence or corrupt understandings of art; and the limits on public debate because of fear of the consequences.

Published September 1994
Julie Blyfield
Review
Vivonne Thwaites

Exhibition review Memento celebration sentimentality
Contemporary jewellery by Julie Blyfield
Jam Factory Gallery
8 April - 29 May 1994

Published September 1994
Where Would Sydney be Without its Art Prizes?
Feature
Anne Loxley

The hype, the hysteria, the media and the money. Of all Sydney's art prizes it is the Archibald which arouses the greatest public interest...

Published September 1994
Sydney in Focus: Reflections on Marketing in the Visual Arts
Feature
Belinda Hanrahan

Since their inception, galleries and museums around the world have entertained the principles of marketing, but perhaps never so consciously as now. Of all Australian arts institutions, the Art Gallery of New South Wales has been most aware of the need to market its image.

Published September 1994
Breaking the Boundaries - 'Art-elites": Are They an Inevitability?
Feature
Liz Gibson

Not all public institutions are devoted to blockbusters and cultural elitism. Regrettably, contempt for the masses is not anachronistic.

Published September 1994
 
Goulburn Regional Art Gallery
The David Roche Foundation
Artshub
NAVA