Ann Newmarch: Ripples in the Global Pond

Cover of Ann Newmarch: Ripples in the Global Pond
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Writing through the archive: the art writing marathon
Feature
Jacqueline Millner
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Ethics and aesthetics: D Harding, Luciano Benetton and Terra Incognita: inclusiveness is a good way
Feature
Ian McLean

Published 30 March 2022
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In conversation: Sebastian Goldspink and Una Rey
Feature
Sebastian Goldspink and Una Rey

Published 30 March 2022
ACE Open
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The museum fell silent
Feature
Elspeth Pitt

Published 30 March 2022
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Kings of wishful thinking: internet irony and its illusionary critics
Feature
Olivia Bennett

Published 30 March 2022
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Damper is a language word for art
Feature
Dominique Chen

Published 30 March 2022
Desert Mob
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Someone has to be innocent: a reflection on the post-2020 art critic
Feature
John Mateer

Published 30 March 2022
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A case for writing contemporary art history
Feature
Aneta Trajkoski

Published 30 March 2022

Ann Newmarch Retrospective 'The Personal is Political' curated by Julie Robinson was shown at the Art Gallery of SA in 1997. Lippard puts Newmarch's work into a global context.

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NAVA
Artshub
Goulburn Regional Art Gallery
The David Roche Foundation