4 Artists from WA

Cover of 4 Artists from WA
1.126
Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
Feature
Nicholas Thomas

Published 01 September 2018
1.122
Living and dying under surveillance: Xu Bing's Dragonfly Eyes
Feature
Sasha Grbich

Published 01 September 2018
Axolotl
1.122
Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
1.124
Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
Pilbara Creative Forum
1.126
Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
1.276
Katie West: Living well
Feature
Katie West

Published 01 June 2018

Looks at the art practice of four artists in Western Australia - Patrizia Tonello, Alex Spremberg, Cathy Cinanni and Karl Wiebke. Illustrations of their independent works included.

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More from this Issue Full Issue Contents

Archetypal Strategies
Review
Susan Sheridan

Exhibition Review: Josie Starrs, Margaret Worth, Fay Poole and Barbara Zerbini
Experimental Art Foundation
Adelaide South Australia
June 1990 and touring to regional galleries.

Published June 1991
Ngura Kujara - Two Homes
Feature
Felicity Wright

Exhibition Review: Tandanya Adelaide South Australia January - June 1991. Interviews with curators Kerry Giles Kurwingie and John Kean. Images of inma at Ernabella included in the article.

Published June 1991
Juggling the Roles
Review
Jude Adams

Exhibition Review: An Art and Working Life Project
Hosted by the Working Women's Centre Prospect Gallery
South Australia
March 1991

Published June 1991
Cultural Diversity and Public Galleries
Feature
Janis Wilton

Written with Joseph Eisenberg. The National Association for the Visual Arts [NAVA] is currently sponsoring a project on 'Multiculturalism and the immigrant artist in Australian visual culture'. Part of the study focuses on the role of public galleries in appreciating, exhibiting, and acquiring the work of Australian artists from non- English speaking backgrounds [NESB].

Published June 1991
How Clay Speaks for Neville Assad
Feature
Kevin Murray

The alphabet was invented, so they say, in Lebanon. To some Lebanese, their country represents an un-broken link with the birth of human history. Non-Aboriginal Australians, by contrast, share stories of interrupted family ties, of exile and forgetting. How then do these Lebanese relate to life in Australia?

Published June 1991
Mixing it in Broome and Darwin
Feature
Kerry Davies

The Broome Mix is useful to bear in mind when thinking on all things multicultural - cultural diversity. In Broome that's culture - a mix of Aboriginal, Asian and European.

Published June 1991
Setting an Agenda for the Arts in Tasmania
Review
Sandi Young

Review: State Arts Conference
Tasmanian Arts Industry Council
April 1991
Photographs of delegates to the conference included.

Published June 1991
Art and Racism: Inter-National Issues
Feature
Alison Carroll

The way that I want to convey that meaning [racism] here is to use a small number of relatively random examples of current art/race = art/power debates from around the world. They give a flavour of the issues. They have obvious relevance to Australia's relationship to the rest of the world, as well as to relationships within Australia.

Published June 1991
Multicultural Artworkers: Sacrificial Anodes?
Feature
Helen Andreoni

This is a new notion for me. I'm sure it is a term familiar to most readers. However, just in case, this is my version of what it means. To understand it you need to appreciate that there is an hierarchical order of metals determined by their 'nobility'. A sacrifical anode is less a noble metal which is used to attract impurities away from more noble metals that you do not wish to be eroded. Thus if you wish to avoid erosion in your copper boiler, you can put a sacrificial anode in the water which will attract the impurities in the water and keep them away from your noble boiler. The link between multicultural artworkers and sacrificial anodes is entirely my own!

Published June 1991
Ethnicity and Excellence in the Arts
Feature
Sneja Gunew

One of the leading debates in Cultural Studies around the world deals with the issues of cultural difference or ethnicity in relation to concepts of a national culture.

Published June 1991
Accelerate
Feature
Sam Schoenbaum

"I used to boast about you, my son the painter. You painted trees, now you paint squares to humiliate me." Quote by the artist's father in the early 1970s Melbourne.

Published June 1991
A Living Museum at Work in Melbourne's Multicultural West
Feature
Olwen Ford

Those who come to know Melbourne's western suburbs find many treasures in the region's history, heritage, environment and contemporary culture.

Published June 1991
 
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